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This article is almost four years old.

Lydia James talks to film director Leila Sansour about Open Bethlehem and being back in...

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Virgil Hawkins decries the media’s ease of conscience when it comes to attracting readers.

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Kate Smurthwaite battles the lure of capitalist-driven advertising and calls for a change.

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Lebanese artist Tania el-Khoury speaks to Cristiana Moisescu about her newest project, an...

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Kenyan author Okwiri Oduor talks to Chris Brazier about winning this year's Caine Prize for...

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The work of students from the Royal College of Art suggests it may be possible, says Jamie Kelsey-Fry.

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Top novelist Leonardo Padura talks with Vanessa Baird on why his books disappear in Cuba,...

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A group of filmmakers came up with a clever way to help smuggle five refugees to safety. Co-director Gabriele del...

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The neglect of our mother tongues is holding us back, says Apioth Mayom Apioth.

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The comedian and activist has no time for monarchs, politicians or estate agents. But, as she tells Jo Lateu...

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Mixed media can help change attitudes in an increasingly unequal world, says Katharine Round.

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Repression, self-censorship and the state funding of media have silenced Serbian journalists critical of the government,...

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Is indigenous culture doomed? No way, say Tamil Nadu’s adivasi kids. Mari Marcel Thekaekara reports.

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Jill Jones explains why signing is particularly vulnerable to dying out – and why this basic human right must...

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Mark Engler and Paul Engler on the strengths and limitations of prefigurative politics.

This article is more than four years old.

Mark Engler reports on reactions to a surprise best seller.

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