New Internationalist

Film review: Tomboy

October 2011

Directed and written by Céline Sciamma

A trusting gem of a film from Céline Sciamma.

When, during the long summer holidays, 10-year-old Laure moves to a new area with her family, she’s mistaken for a boy. She sticks with it, and, outside her home, becomes Mikhael. Mikhael looks the part – cropped hair, a skinny boy’s physique – and acts it, winning a fight with a boy and accepting a kiss from local girl Lisa. So that no-one should ever doubt she is a boy, Laure becomes a really real boy. To go swimming, she cuts down her girl’s torso-length costume and slips in a little penis she models from children’s plasticine.

At home, though, there are no pressures, no roles to play. Laure plays naturally with her six-year-old sister Jeanne. After Jeanne opens the front door to Lisa, who has called around for ‘Mikhael’, Laure has to strike a deal with her younger sibling.

As we know, summer holidays always come to an end, and Sciamma (maker of 2007’s Water Lilies) doesn’t shirk harsh realities or pretend people are wiser or kinder than they are. But, she suggests, when people really connect with each other, they can overcome. The natural, easy interplay between these very young actors is as good as you’ll see. A gentle, trusting gem of a film.

Front cover of New Internationalist magazine, issue 446 This column was published in the October 2011 issue of New Internationalist. To read more, buy this issue or subscribe.

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Film review: Tomboy Fact File
Product information 82 minutes
Star rating4

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This article was originally published in issue 446

New Internationalist Magazine issue 446
Issue 446

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