It’s the faces that stick in the memory. The brothers in their eighties – one all day in the hills with the sheep, the other with the cows. The tiny framed man with grey tangled hair, two-feet long, whose face is a spider-web of lines. The open-faced woman who hardly ever speaks but continually nods and smiles.
Most are unfamiliar and striking – they’re not faces you see in the streets of Western towns and cities. They seem to be pre-industrial but they’re the faces of our contemporaries – the faces of small farmers from the Haut-Garonne in France. Depardon has been a documentary photographer and film maker for over 40 years and a member of Magnum for 30. He himself came from such a farm and this is the third of his Profils Paysans (Peasants’ Portraits).
Very wide shots show people in their rugged landscape; long shots the texture of their lives – a muddy icy yard, an old clock, a tablecloth. An old woman dies, an old man speaks with no front, but seems to carry a terrible hurt and disappointment. We hear their stories, learn about their values. It’s neither postcard lyricism nor miserabilism – just respectful, real and engrossing.
Help us keep this site free for all
New Internationalist is a lifeline for activists, campaigners and readers who value independent journalism. Please support us with a small recurring donation so we can keep it free to read online.