A compassionate and inspiring film about the AIDS epidemic in 1980s San Francisco.
A compassionate and inspiring film about the AIDS epidemic in 1980s San Francisco.
What if the Germans had invaded the Welsh valleys during the Second World War?
Feature films can tell us much about the cultural background to recent events in North Africa and the Middle East. Malcolm Lewis has been watching some of them.
Director Céline Sciamma doesn’t shy away from harsh realities, yet Tomboy is still a trusting gem of a film.
Malcolm Lewis finds quality beyond Disney and exotic settings…
Three Florida sisters with very different lives, all seeking love.
It’s only a feature film, and it’s shot in black and white, but City of Life and Death is an intense, indelible experience.
Trapero looks at the culture in a small Argentinean prison showing life in the moment.
This is a haunting and sometimes upsetting film – with little dialogue but great authenticity and power.
Martel shows the mentality of people complicit in Argentina’s repression and ‘disappearances’.
This documentary raises the bar in not only looking good, but in putting it all in context.
A film about how far we know and trust others, and how other people make us who we are, partly through the stories we hear.
In a small village in Germany, just before the First World War, a doctor is severely injured when a hidden tripwire pulls down his horse.
Tulpan is the daughter of the only nearby family and Asa thinks he’s in love with her. Sadly for him, she doesn’t fancy Asa, whose ears, she says, are too big.
An eye opening account of the truth behind the declining bee population
A film that gets inside the mind and feelings of a young person deeply at odds with the world. Written and directed by Andrea Arnold.
The reality of indigenous life in the Amazon. Directed and co-written by Marco Bechis
At a new age festival in Sweden, a group of people who’ve never met before explore tree-hugging, sweat lodges, shamanism, tantric sex.
A road movie cum Western. Or, rather, it’s a railroad movie and the ‘West’ - where innumerable migrants are headed on railroad wagons - is more accurately the ‘North’, the US.
Directed by Jamie J Johnson, yes, it is about Eurovision, and many of the songs are appalling, but what comes over is the solidarity between the contestants, and how un-egotistical they are.
More than a sports film: Sugar explores the American Dream, competitiveness and simple human values.
This is the first Iraqi film about the American-led invasion. Written and directed by Mohamed Al-Daradji.
The late 1970s. A kitsch television show is looking for a Tony Manero impersonator. Tony who? Horribly, wonderfully real, and incredibly repulsive.
An unshowy, very human story, of a man who makes unexpected connections and rediscovers his own life
We get to see a lot of Che’s iconic look in over four hours of film, but sadly, though long on detail, it’s short on insight.
A stirring film, from the first graphic action scenes, showing police attacking demonstrators, and it never flags, never seems staged.
Lorna, an Albanian working in a Belgian laundry, needs money to open a snack bar. The first step is citizenship, so she marries a very sick heroin addict who no-one expects to live very long.
An off-beat LA-based comedy as a solitary, hostile young woman with a porn addiction. Written and directed by Marianna Palka
A horrific and unforgettable film about the 1981 Bobby Sands hunger strike directed and co-written by Steve McQueen
What war does to people’s humanity and how, without trust, touch and intimacy, we’re lost.
An outstanding realistic drama that shows these people’s ordinariness, strengths and weaknesses, and never idealizes or diminishes them.
A beautiful contemplative immersion in the children’s sense of the immensity of time and events. Written and directed by Reha Erdem
A film about the Pope’s toilet. Directed by Enrique Fernandez and Cesar Charlone
A beautifully composed episodic study of Stan, a slaughterhouse worker, his family, friends and community.
Kechiche, like Fatih Akin, the Turkish-German film-maker, shows us how the lives of migrants and their children straddle cultures, and, like Akin’s Head-On, Couscous is passionate and earthy.
Colm Meaney is Tommy, an Irishman in London who plans to kill himself. Directed by Jonathan Gershfield
Why We Fight: It is nowhere written that the American empire goes on forever.
A Crude Awakening: The Oil Crash written and directed by Basil Gelpke, Ray McCormack
The Yacoubian Building scripted and directed by Marwan Hamed
A film taken from a book by a white guy who knew an African leader – sounds familiar?
One to avoid… Zidane: A 21st Century Portrait directed by Douglas Gordon and Philippe Parreno
AFROREGGAE SPECIAL: Culture Is Our Weapon by Patrick Neate and Damian Platt; Favela Rising directed by Jeff Zimbalist.
Argentina – Hope in Hard Times directed by Mark Dworkin and Melissa Young
In Santiago, Chile, 1973, during the Allende Government, an élite fee-paying secondary school, run by priests, offers free education to boys from a nearby shanty town. The priests’ initiative, opposed by many parents, brings together very different worlds
The Story of the Weeping Camel directed by Byambasuren Davaa and Luigi Falorni
SOUTH AFRICA SPECIAL: celebrating the 10th anniversary of apartheid’s end. Keeping His Promise by Enver Carim; Unfinished Business by Terry Bell with Dumisa Buhle Ntsebeza; History After Apartheid by Annie E Coombes; Amandla! directed by Lee Hirsch.
The Barbarian Invasions. Written and directed by Denys Arcand.
Jung (War): In the Land of the Mujaheddin directed by Fabrizio Lazzaretti and Alberto Vendemmiati
Closed Doors (Al Abwab Al Moghlaka) directed by Atef Hetata
Anti-Muslim fervour is rife – yet is being ignored by the authorities, says Lewis Garland.
Mari Marcel Thekaekara congratulates the country’s Dalit community on finally winning legal protection against discrimination.
‘The Wicked Witch is dead’ but although he’s celebrating, Alan Hughes urges us to fight on against everything she stood for.
Argument: Should prostitution be legalized?
Argument: Is it time to ditch the pursuit of economic growth?