Dirtmusic’s debut album.
Page 4 of 10
Genuine Negro Jig
Hoe-down fiddles, the rhythmic rattle of spoons and kazoos with some banjos marking time, and you could be – where? A fictive Appalachian town? Some 1930s travelling music show?
- Louise Gray
- April 14, 2010
- 0
Empire and Love
Folk music, as Empire and Love shows so well, is a music that has a grounding in both past and present, both populist and political.
- Louise Gray
- April 9, 2010
- 0
Tsikaya: Músicos do Interior
Assembled under the artistic directorship of Victor Gama, Tsikaya is a superb example of how music is rooted in the society it comes from.
- Louise Gray
- March 16, 2010
- 0
Makan
An elegant album, stripped bare to its poetry. Bass notes on the oud ground the songs wonderfully and Jubran’s voice is sinuous and expressive, full of colour tones.
- Louise Gray
- February 1, 2010
- 0
Stereocanto
Low whistle, hornpipes, kaval (this is a traditional Balkan flute) and practice chanter (and this a part of the Scots bagpiping set-up) are just a few of the instruments employed by Fraser Fifield on Stereocanto.
- Louise Gray
- January 20, 2010
- 0
The Sky and the Caspian Sea
Mysterious and opulent in its songs, The Sky and the Caspian Sea is a début album that exudes confidence and poise and promises the start of a great future.
- Louise Gray
- December 9, 2009
- 0
Sarabah – Tales from the Flipside of Paradise
Hiphop fans make a virtue of telling it how it is. Well, there’s no-one out there who tells it better than Sister Fa.
- Louise Gray
- December 8, 2009
- 0
Sleepwalking through the Mekong
It’s a dance record galvanized for the groove; it’s a John Pirozzi film that takes a serious responsibility for the band’s material and details commitment to Cambodian heroes.
- Louise Gray
- November 10, 2009
- 0
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